Tipitina's Presents
Dinosaur Jr.
with Dinosaur Jr., Cashier
+ Cashier
September 25, 2024
Doors: 7:30 pm / Show: 8:30 pm CDT
Doors: 7:30 pm / Show: 8:30 pm CDT
Ages 18 and Up
Dinosaur Jr.
Here is Sweep It Into Space, the fifth new studio album cut by Dinosaur Jr.. during the 13th year of their rebirth. Originally scheduled for issue in mid 2020, this record's temporal trajectory was thwarted by the coming of the Plague. But it would take more than a mere Plague to tamp down the exquisite fury of this trio when they are fully dialed-in. And Sweep It Into Space is a masterpiece of zoned dialing.
In the decades since the release of Dinosaur Jr.'s original triptych of foundational albums, it has become clear that their sound -- once hailed as a sort of almost-tamed noise -- is/was/always-has-been fully functioning pop music of a sort. The subsequent generations of bands who grew up breathing Dino's fumes managed to tinker around with the edges of their original post-hardcore song-forms enough for listeners to realize there had always been melodies at the center of everything they did. What Dinosaur Jr.. produces is nothing but a beautiful new version of the rock continuum -- riff, power, beat and longing, created with an eye on the infinite future.
Recorded, as usual, at Amherst's Biquiteen, the sessions for Sweep It Into Space began in the late Autumn of 2019, following a West Coast/South East tour. The only extra musician used this time with Kurt Vile.
J Mascis says, “Kurt played little lead things, like 12 string one at the beginning of 'I Ran Away.' Then I ended up just mimicking a few things he'd done. I was listening to a lot of Thin Lizzy, so I was trying to get some of that dueling twin lead sound. (laughs)”
“But the recording session was pretty well finished by the time things really hit the fan. So I just ended up doing more things by myself. Like the mini digital mellotron on 'Take It Back.' Originally I'd thought I'd have Ken Mauri (who has done keyboard work for Dino in the past) come in and play piano. But when the Lock Down happened in March, that meant I was on my own. But it was cool.”
Indeed, Sweep It Into Space is a very cool album. As is typical, Lou Barlow writes and sings two of the album's dozen tunes and Murph's pure-Flinstonian drumming drives the record like a go cart from Hell. Lou's songs here are as elegant as always. “Garden” is a mid-paced ballad with genteel guitar filigree giving it a '60 Brit feel in spots. And the album's closer, “You Wonder,” is a strangely excellent answer to the question -- “How would Blue Oyster Cult handle a country tune?”
J's tracks flow and flower in the different directions he often follows. Some are guitar howlers, like “I Met the Stones,” with a string sound midway between Hendrix and Asheton. Some are power ballads, like “And Me,” its lyrics atomized in a manner invented by Mascis, then famously borrowed by Kurt Cobain. And there are anomalies, like “Take It Back,” which starts with a blue-beat rhythm putting one in mind of Keith Richards' Jamaican explorations (at least for a little bit.)
But there are very few moments where you wouldn't know you were hearing Dinosaur Jr.. in blindfolded needle drop. They have a signature sound as sure as the Stooges or Sonic Youth or Discharge ever did. They continue to expand their personal universe with Sweep It Into Space, without ever losing their central core.
So if you ever do find yourself swept into space (hey, who knows?), I just hope these tunes are on your playlist.
--Byron Coley
Cashier
Formed in the Summer of 2021, South Louisiana rock initiates, Cashier, have bloomed within the South Louisiana DIY community and have already begun spreading their roots outwards. Applying tonal inspiration from the more dissonant sonic selections of pre-millennial rock monoliths to a modernized song writing ethic, Cashier exists at a converging point between these mentalities whose music serves as an amplifier for expression that would otherwise exist sight unseen in the backdrop of the rapidly evolving landscape of modern music. Fuzzy and dissonant, their tracks deliver feedback driven soundscapes that portray urgency and serenity in equal measure, underlined with pop catchiness and emotional sincerity. In live settings, Cashier cultivates a feeling of massiveness that feeds into and off of their ubiquitously kinetic audiences. Frenzied noise cuts through melody, blurring the line between performing and channeling.
PLEASE NOTE you do not need to print your ticket(s). Your order can be scanned from a mobile device or found via will call at the front door.
********
· Ages 18 and Up
· Must have valid Government-Issued ID -OR- Passport to enter
· All patrons are encouraged to stay up to date on current public health recommendations and be respectful of other attendees around them
· Tipitina's reserves the right to enforce any health policy standard as required or recommended by local/state guidelines, including refusal of entry to-, or removal of-, offending audience member(s) from the venue at any time
· No professional cameras or rigs (cameras with removable lenses)
· Purchaser must be present (with valid photo ID -OR- Passport) to claim Will Call Tickets -or- eTickets
· Online ticket sales will cease when doors open
· All sales are final
· Questions? Contact info@tipitinas.com
**Tipitina's Box Office is open Monday-Friday 10:00am-4:00pm**
