Easily the 9th greatest pop punk band in history, Bowling For Soup have spent the last 30 years proving they’re one of the most fun, engaging, and downright entertaining live bands on the planet. If the sun’s out and BFS are on stage, you’re in for a party, complete with massive singalongs, off-the-cuff comedy, and an energy that makes even the biggest stages feel like a backyard hangout.

Formed in Wichita Falls, TX in 1994 and later relocating to Denton, TX, BFS spent years grinding it out in vans, playing to anyone who would listen. Then in 2000, the UK took a liking to “The Bitch Song”, and things took off from there. Over the years, they’ve delivered massive crowd-pleasers like “Girl All The Bad Guys Want” (Grammynominated in 2003), “1985,” “Punk Rock 101,” and “High School Never Ends.” They even became a part of pop culture history with the theme songs for Jimmy Neutron and Phineas and Ferb.

This year, BFS celebrated their 30th anniversary with sold-out tours across the U.S., U.K., and Australia, while also marking 20 years of their biggest album, A Hangover You Don’t Deserve. In early 2025, longtime guitarist Chris Burney retired due to health concerns, but Jaret Reddick (vocals/guitar), Gary Wiseman (drums), and Rob Felicetti (bass) have carried on, insisting, “You can’t replace a legend.”

Renowned for their fun, interactive, and unpredictable live shows, BFS aren’t just a band you listen to—they’re a band you experience. Nobody leaves a Bowling For Soup show without a huge smile on their face. Their fans span multiple generations, with OGs who grew up on the band’s music now bringing their kids—who know every word to every song. That’s because BFS have become ingrained in pop culture, from hit songs to movie soundtracks and TV themes. Whether playing to 3000 or 50,000 people, their onstage chemistry, fan engagement, and comedic charm make every show feelnpersonal.

The band have just completed their biggest tour ever in the United Kingdom and will headline Wembley Arena in London in December 2025. Looking ahead, BFS are keeping busy with new projects, including their upcoming live acoustic album Stoked On Trent, a pop-punk covers album, and a live album recorded in Manchester, UK on the recent tour. With their legendary live performances, ongoing new music, and active social media presence, Bowling For Soup continue to prove that pop punk is alive, well, and a hell of a good time.

For over 20 years, The Dollyrots have been a shining example of how to mix raw punk energy with catchy, bubblegum melodies, all while living life entirely on their terms. Fronted by bassist and vocalist Kelly Ogden and guitarist Luis Cabezas, this power duo has built a legacy of anthemic tunes, relentless touring, and an unwavering DIY ethos. But what sets them apart isn’t just their music—it’s their ability to balance the chaos of punk rock with raising kids that are now old enough to take the stage on their own.

The band has released eight studio albums and played over two thousand shows since their 2004 debut on legendary punk label Lookout! Records. The next two albums came out through Joan Jett’s Blackheart Records, followed by several DIY, fan-funded releases and a current alliance with Wicket Cool Records. Long a staple in rotation on Sirius/XM’s Little Steven’s Underground Garage, the band’s consistent output perked up the ears of Wicked Cool founder Stevie Van Zandt. “Their songwriting has reached a consistent level of greatness,” he says.

The Dollyrots’ sound stays rooted in the sharp hooks of classic pop punk. Growing up together in Florida, followed by a decade-long stint in Los Angeles, the band emerged from the L.A. punk scene with a style that blends humor, heart, and high-energy. Their anthem “Because I’m Awesome” has enjoyed over 2.6 million streams on Spotify while becoming a rallying cry for sarcastic self-confidence. Whether they’re singing about awkward crushes or the everyday chaos of life, their songs always deliver a sense of fun and relatability, reminding listeners not to take life—or themselves—too seriously.

The band is no stranger to success, hitting the Billboard Heatseekers and Independent Albums charts several times and featured in movies and TV shows including “Nimona”, “Billions”, “The Price Is Right” along with classics such as “Easy A” and “CSI:NY”. Their most recent album, Night Owls, is co-Produced by longtime collaborator John Fields (Jimmy Eat World, All Time Low, Meet Me At the Altar) and features multiple tracks receiving heavy rotation on Sirius/XM and featured on NPRs New Music Friday and Spotify’s New In Punk Playlists, along with many more.

Kelly and Luis aren’t just bandmates; they’re life partners who’ve taken their shared love of music and turned it into a family affair. Their two kids, River and Daisy, have grown up on the road, trading playgrounds for green rooms and bedtime stories for soundchecks. Instead of seeing family life as a limitation, Kelly and Luis have woven it into the fabric of their music and lifestyle. Their kids often make mid-show cameos on stage and can sometimes be spotted at the merch table helping fans pick out t-shirts, or popping up in behind-the-scenes tour videos. The family vibe is infectious, making Dollyrots shows feel less like a concert and more like a reunion with your fun, rock n roll cousins.

This unconventional lifestyle has added a unique layer to The Dollyrots’ identity. They’ve become a symbol of what it means to balance ambition and creativity with family life. Their fans—many of whom are now parents themselves—find inspiration in how Kelly and Luis have stayed true to their punk roots while embracing parenthood with open arms.

The band’s influence has also extended to the radio, where Kelly has held down the position of morning show DJ since 2019 on Sirius/XM Channel 21 The Underground Garage. The Kelly Ogden Program plays the best of garage, punk, and rock, airing every weekday morning with a bonus Friday night show. She can also be heard on their sister station Sirius 721, and shares a side project with Bowling For Soup frontman Jaret Reddick called Jaret and Kelly.

Always active on the live circuit, the band is gearing up for extensive 2025 tour plans including both U.S. and overseas runs. This will coincide with a new release coming in the Spring just on the heels of deluxe vinyl reissues of their seminal LPs “Eat My Heart Out” and “Barefoot & Pregnant” in February through Wicked Cool/The Orchard.

Though their lives have evolved, The Dollyrots’ music remains as vibrant and youthful as ever. Their DIY approach has also allowed them to stay connected to their audience and build a loyal community that feels more like an extended family. Their fans have watched them grow from scrappy up-and-comers to seasoned musicians and parents, and that connection makes their music hit even harder. They show that you don’t have to give up your passions or your identity to raise a family and prove that punk rock isn’t just about rebellion—it’s about creating your own path and sticking to it, no matter what. With a little bubblegum and mischief on the side.

From the beginning, Don’t Panic has known no boundaries, intermixing mainstream, pop, progressive rock, EDM, and all-around weirdness.

As collaborators, Jeffrey Robens, Dylan Rowe, Ryan Obermeit, and Jesse Mitchell’s multidimensional artistry is captured perfectly. Robens drives the band’s creative process and studio efforts, having written and produced the freshman and sophomore EPs, DOS Robot Circus and The Sleepy EP. Obermeit underpins the project with a motoring rhythm and captivating flair. Rowe enlivens it all with her eccentric perspectives, emotional performance, and handmade visage.

Following a brief hiatus, they released an eight track mini-album ’42’ in August of ’22. It includes two radio singles Time Machine and Conquer Divide, which have earned and maintained them a spot #172 on Billboard/BDS Mainstream Rock Indicator Chart, and #36 on Euro Indie Music Chart.